It’s Fiction Friday and I’m celebrating with a story that reminds me of one of my least favorite writing rules.
I’m all for breaking the rules of writingcraft. I love to engage in a furious bout of TELLING rather than showing, thank you very much, and I wonder sometimes if I’m capable of writing any other kind of story than the “zero-to-zero” Jerome Stern outlawed in Making Shapely Fiction. But the rule I most like to break? The one that makes me snarl? “Write what you know.”
I get it. The rule actually means “Use what you know.” And that’s good advice. But when you’re first starting out, and everywhere you turn someone’s advising you solemnly to write what you know, and then shoving Carver and Hemingway at you, not to mention Updike, not to mention Philip fucking Roth (notice a pattern?) you find yourself thinking, well, I don’t spend my evenings staring at a shot glass or swapping angry silence with a spouse or toting a gun or rushing off to dark corners to either masturbate or get it on with somebody else’s spouse, so I write about… what… Scrabble? Cats?? Wait, I know! My parents’ divorce or that time my brother almost lost a finger because there was suffering, people suffered.
I’m just saying: If you limit your fiction to the things you know—things, then, you already understand—why on earth are you writing in the first place? Build a brick oven or make a suit of armour. Do something creepy with papier mâché. Writing is about discovery. The whole point is to write what you don’t know—what you can’t know, in fact, until you write it.
So that’s me, being right, and sharing my rightness with you. Except when I’m wrong! And today I’m wrong. A little. Because the fab flash I’m celebrating is built, I’m certain, on intimate knowledge. Of insomnia. And how do I know that? Because I used to suffer from insomnia. I know how it feels, what it looks and smells like, the particular ways in which it rubs away at your smarts and senses. And I recognize it in a beautiful flash fiction published at Hermeneutic Chaos Journal.
I’d bet money Tessa Yang wrote “Peripheral” from the experience of having suffered from insomnia, or she knows well an insomniac who told her all about it. And so, I would say, she used what she knows, which is why I’m only a little wrong. OR I’m even more right than ever (win-win!) because maybe she just did a little research and then imagined herself, like a champ, into it. Either way (1) Please break writing rules whenever you can, and (2) Read this terrific, quiet, shifty little story ostensibly about one thing but really about something else and then something else again….
Which is really all to say that the one true-blue writing rule you can forever depend on? Reading well leads to writing well. Enjoy.
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Daily Shorty 